Tamkang Review, 第 18 卷Graduate School of Western Languages and Literature, Tamkang University, 1987 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 60 筆
第 30 頁
will never be realized . In this sense , Lai's drama is produced to demonstrate how , in remembering our " past , " we would have to objectify it ( in the true sense of the word ) . We , audience and performers , in putting together our ...
will never be realized . In this sense , Lai's drama is produced to demonstrate how , in remembering our " past , " we would have to objectify it ( in the true sense of the word ) . We , audience and performers , in putting together our ...
第 81 頁
... sense , digressive narrations and nonsequential inter- polations are appropriate methods which can constitute the elements of a narrative genre in a pragmatic sense the telling , the listening , and the passing on of any given story ...
... sense , digressive narrations and nonsequential inter- polations are appropriate methods which can constitute the elements of a narrative genre in a pragmatic sense the telling , the listening , and the passing on of any given story ...
第 246 頁
... sense of reality . ' At the broadest level it is possible to see all images and all poetry as " metamorphic " by convention . In The Poetic Image , C. Day Lewis speaks of this broad application of metaphor : Yet the image is the ...
... sense of reality . ' At the broadest level it is possible to see all images and all poetry as " metamorphic " by convention . In The Poetic Image , C. Day Lewis speaks of this broad application of metaphor : Yet the image is the ...
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