Tamkang Review, 第 1 期1974 |
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第 1 到 3 筆結果,共 63 筆
第 34 頁
... dramatic creativity - an age seemingly absorbed in creating , the way an author should be - and one which left us almost no criticism of the musical drama called tsa - chu or pei - ch'ü which was its chief legacy . There exists , to be ...
... dramatic creativity - an age seemingly absorbed in creating , the way an author should be - and one which left us almost no criticism of the musical drama called tsa - chu or pei - ch'ü which was its chief legacy . There exists , to be ...
第 37 頁
... drama must be grateful for his taste , skill and passionate love for Yüan theater . This great affection for the tsa - chu form and the products of its golden age two centuries before Tsang's time led him into somewhat intemperate ...
... drama must be grateful for his taste , skill and passionate love for Yüan theater . This great affection for the tsa - chu form and the products of its golden age two centuries before Tsang's time led him into somewhat intemperate ...
第 40 頁
... drama - I don't pretend to be able to choose among these statements . But I do take exception to those who write ch'ü [ dramas ] today , for the music of the south and the north may differ , but the requirements of modes and rhymes ...
... drama - I don't pretend to be able to choose among these statements . But I do take exception to those who write ch'ü [ dramas ] today , for the music of the south and the north may differ , but the requirements of modes and rhymes ...
內容
APRIL NUMBER | 1 |
Man and Nature in Tu Fus Poetry Henry W Wells | 11 |
From the Folk to the Literary Yüehfu Marie Chan | 31 |
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