淡江評論, 第 27 卷Graduate School of Western Languages and Literature, Tamkang University, 1996 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 30 筆
第 187 頁
... feminine or feminine writing is a central point in French feminist criticism . Cixous may be its most comprehensive and eloquent exponent . For her , writing is by nature feminine , or bisexual as she sometimes calls it . Yet , on the ...
... feminine or feminine writing is a central point in French feminist criticism . Cixous may be its most comprehensive and eloquent exponent . For her , writing is by nature feminine , or bisexual as she sometimes calls it . Yet , on the ...
第 195 頁
... feminine and masculine writing " is possible ( " Medusa " 253 ) . The feminine writing superimposes itself upon writing ( which is by nature already bisexual or feminine ) and reveals itself in being non- exclusive , oceanic , fluid ...
... feminine and masculine writing " is possible ( " Medusa " 253 ) . The feminine writing superimposes itself upon writing ( which is by nature already bisexual or feminine ) and reveals itself in being non- exclusive , oceanic , fluid ...
第 198 頁
... feminine , remarka- bly differing from the masculine West Wind that acts as a center and exerts the power to " preserve " and to " destroy , " and , surely , differing from the phallic voice of Prometheus . Here Shelley speaks in his ...
... feminine , remarka- bly differing from the masculine West Wind that acts as a center and exerts the power to " preserve " and to " destroy , " and , surely , differing from the phallic voice of Prometheus . Here Shelley speaks in his ...
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