Tamkang Review, 第 29 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1998 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 30 筆
第 79 頁
... original text . Ruite Shih , for example , stated that the " charm " of Eileen Chang's fiction " once again conquered the audience of the celluloid screen , " and that Kwan and Yihua Lin , the screen playwright , " did not propose a new ...
... original text . Ruite Shih , for example , stated that the " charm " of Eileen Chang's fiction " once again conquered the audience of the celluloid screen , " and that Kwan and Yihua Lin , the screen playwright , " did not propose a new ...
第 40 頁
... original referents and to serve as figurative models of the original maturational / developmental trajec- tory . In this particular case , the drop of blood is no longer merely an indexical trace of a specific procedure Zhu Ling has ...
... original referents and to serve as figurative models of the original maturational / developmental trajec- tory . In this particular case , the drop of blood is no longer merely an indexical trace of a specific procedure Zhu Ling has ...
第 135 頁
... original Yang ge ( 12 ) . Since Chang's original versions were in Chinese , it stands to reason that the transla- tor should inform the reader whenever departures from the original version occur in the translation - and should keep ...
... original Yang ge ( 12 ) . Since Chang's original versions were in Chinese , it stands to reason that the transla- tor should inform the reader whenever departures from the original version occur in the translation - and should keep ...
內容
AUTUMN 1998 NO | 1 |
SUMMER 1999 NO | 4 |
Comparative Studies of Chinese and Penghsiang Chen and I | 19 |
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appears attempt become Chang characters Chen China Chinese Chinese Literature collection Comparative construction contemporary critics cultural desire discourse discussion drama Eileen English example experience expression feelings female feminist Feng fiction figure force hand human identity images important individual issue language literary literature living Mahua male meaning misogyny modern Modernist moral movement narrative narrator nature notes novel original past play poems poetic poetry poets political position postmodern present published qing question reader reading recent refers relation represented Review role Rose satire scene sense sexual Singapore social society Song space story studies suggests symbolic Taipei Taiwan tale theory tion traditional translation University voice Wang Western White woman women writing xiaoshuo young Zhang Zhu Ling Zhu's