Tamkang Review, 第 29 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1998 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 84 筆
第 130 頁
... scene 1 and dense with Shadrin's dialogue with Wiran in scene 18 . Even Wiran's concluding pro - democracy dissenting speech at the last scene belongs to a Party member . The Proles who appear as op- pressed creatures , even when ...
... scene 1 and dense with Shadrin's dialogue with Wiran in scene 18 . Even Wiran's concluding pro - democracy dissenting speech at the last scene belongs to a Party member . The Proles who appear as op- pressed creatures , even when ...
第 54 頁
... scene as herself , she ends up singing into the silent telephone , as if to her dead lover . But the actress ' " own " last scene is followed by her last appearance as Jiang Biyu , after the death of her ( Jiang's ) husband . This last ...
... scene as herself , she ends up singing into the silent telephone , as if to her dead lover . But the actress ' " own " last scene is followed by her last appearance as Jiang Biyu , after the death of her ( Jiang's ) husband . This last ...
第 60 頁
... scene in the whole film which actually shows government soldiers in action against the Taiwanese rebels , and so it is the most politically sensitive . This flashback is a free - floating scene in two senses . First , this scene is ...
... scene in the whole film which actually shows government soldiers in action against the Taiwanese rebels , and so it is the most politically sensitive . This flashback is a free - floating scene in two senses . First , this scene is ...
內容
AUTUMN 1998 NO | 1 |
SUMMER 1999 NO | 4 |
Comparative Studies of Chinese and Penghsiang Chen and I | 19 |
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