Dan jiang ping lun, 第 14-15 卷Graduate School of Western Languages and Literature, Tamkang University, 1983 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 68 筆
第 487 頁
... feeling as the sine qua non of lyric poetry ; the other is that both involve a search for palpable means of articulating what is felt within by turning to outer reality for expression of feeling . This is because outer reality ...
... feeling as the sine qua non of lyric poetry ; the other is that both involve a search for palpable means of articulating what is felt within by turning to outer reality for expression of feeling . This is because outer reality ...
第 491 頁
... feeling " as a proto - mode of poetic expression in Chinese lyrics . The characteristic absence of any logical or ... feeling . " The syntactical separateness between " scene " and " feeling " is a crucial characteristic of this mode ...
... feeling " as a proto - mode of poetic expression in Chinese lyrics . The characteristic absence of any logical or ... feeling . " The syntactical separateness between " scene " and " feeling " is a crucial characteristic of this mode ...
第 500 頁
... feeling in English poetry . First , the relationship between the two worlds is almost always specified through logical or grammatical connectives . Second , as a result , outer reality relates to inner feeling in an either / or ...
... feeling in English poetry . First , the relationship between the two worlds is almost always specified through logical or grammatical connectives . Second , as a result , outer reality relates to inner feeling in an either / or ...
內容
President of Pacific Cultural Foundations Speech | 5 |
Utopianism in World Literature | 11 |
Major Themes at the Fourth International Conference | 31 |
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aesthetic appear approach become beginning called century character China Chinese Chinese literature classical Comparative Literature complete concept concern context continue course critical cultural described discourse discussion effect English example existence expression fact feeling fiction final function genre give hand hermeneutics human important influence interest interpretation Japan Japanese kind language linguistic literary Marxism meaning metaphor mind mode narrative nature novel object original patterns perhaps period person play poem poet poetic poetry position possible practice present Press problem production question reader reading reference relation relationship result rules scene seems semantic sense Shih social story Structuralist structure suggests theme theory things tradition translation turn understanding University verse Wang Western writing written