Dan jiang ping lun, 第 14-15 卷Graduate School of Western Languages and Literature, Tamkang University, 1983 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 83 筆
第 455 頁
... object of knowledge . " 13 This final movement carries us toward the second imperative , that the art work be known not as object but as a presence in which the reader participates . I have been speaking of literary hermeneutics as if ...
... object of knowledge . " 13 This final movement carries us toward the second imperative , that the art work be known not as object but as a presence in which the reader participates . I have been speaking of literary hermeneutics as if ...
第 459 頁
... object , and thus which leads us to make it into our object or to declare its dissolution . By pointing to its multiple misprisions , we justify making it the object of our jouissance . But because the other remains there , in the voice ...
... object , and thus which leads us to make it into our object or to declare its dissolution . By pointing to its multiple misprisions , we justify making it the object of our jouissance . But because the other remains there , in the voice ...
第 480 頁
... object , both may let us know other things we could find useful . For example , other people's reports of how well certain objects have gratified them , though " mere expressions of subjective likes and dislikes , " may nevertheless be ...
... object , both may let us know other things we could find useful . For example , other people's reports of how well certain objects have gratified them , though " mere expressions of subjective likes and dislikes , " may nevertheless be ...
內容
President of Pacific Cultural Foundations Speech | 5 |
Utopianism in World Literature | 11 |
Major Themes at the Fourth International Conference | 31 |
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常見字詞
aesthetic appear approach become beginning called century character China Chinese Chinese literature classical Comparative Literature complete concept concern context continue course critical cultural described discourse discussion effect English example existence expression fact feeling fiction final function genre give hand hermeneutics human important influence interest interpretation Japan Japanese kind language linguistic literary Marxism meaning metaphor mind mode narrative nature novel object original patterns perhaps period person play poem poet poetic poetry position possible practice present Press problem production question reader reading reference relation relationship result rules scene seems semantic sense Shih social story Structuralist structure suggests theme theory things tradition translation turn understanding University verse Wang Western writing written