Dan jiang ping lun, 第 14-15 卷Graduate School of Western Languages and Literature, Tamkang University, 1983 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 57 筆
第 423 頁
... original poem , which remains there , well protected , inside the heavy walls of nineteenth century rhetoric . 16 It is my position that their way of deploying conventions of rhyme and meter has to a large degree prevented them from ...
... original poem , which remains there , well protected , inside the heavy walls of nineteenth century rhetoric . 16 It is my position that their way of deploying conventions of rhyme and meter has to a large degree prevented them from ...
第 432 頁
... original's opening is turned into variant rather than exact repetitions , and the original's direct , if not naked , ending statement is given with the fussy insistence of : " Tell me , with all this , then , with all this , / How can ...
... original's opening is turned into variant rather than exact repetitions , and the original's direct , if not naked , ending statement is given with the fussy insistence of : " Tell me , with all this , then , with all this , / How can ...
第 556 頁
original substance there is neither good nor evil , one will know that the substance of the mind has its foundation in wu or Nothing . ” 24 In other words , the original substance of the mind is Nothing , and , yet , from Nothing all ...
original substance there is neither good nor evil , one will know that the substance of the mind has its foundation in wu or Nothing . ” 24 In other words , the original substance of the mind is Nothing , and , yet , from Nothing all ...
內容
President of Pacific Cultural Foundations Speech | 5 |
Utopianism in World Literature | 11 |
Major Themes at the Fourth International Conference | 31 |
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aesthetic appear approach become beginning called century character China Chinese Chinese literature classical Comparative Literature complete concept concern context continue course critical cultural described discourse discussion effect English example existence expression fact feeling fiction final function genre give hand hermeneutics human important influence interest interpretation Japan Japanese kind language linguistic literary Marxism meaning metaphor mind mode narrative nature novel object original patterns perhaps period person play poem poet poetic poetry position possible practice present Press problem production question reader reading reference relation relationship result rules scene seems semantic sense Shih social story Structuralist structure suggests theme theory things tradition translation turn understanding University verse Wang Western writing written