Dan jiang ping lun, 第 14-15 卷Graduate School of Western Languages and Literature, Tamkang University, 1983 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 73 筆
第 494 頁
... poem by a shift from " telling " to " showing . ” The Final Scene The presentation of " scene " is by nature open - ended . But when the " scene " appears at the end of a poem it is even more so . To end a poem with a " scene , " known ...
... poem by a shift from " telling " to " showing . ” The Final Scene The presentation of " scene " is by nature open - ended . But when the " scene " appears at the end of a poem it is even more so . To end a poem with a " scene , " known ...
第 517 頁
... poem is Barthes's anachronic subject . If we read the poem in a linear fashion , we are taken in by the deception . The poem sets up a medial scene of ravishment ( Barthes's sumptuous montage of images ) to exlain an initial moment of ...
... poem is Barthes's anachronic subject . If we read the poem in a linear fashion , we are taken in by the deception . The poem sets up a medial scene of ravishment ( Barthes's sumptuous montage of images ) to exlain an initial moment of ...
第 562 頁
... poetic virtue : " The value of Winters as a critic lies in the fact that Winters insists on obtaining from the poem a satisfactory rational content or logical structure . " 18 Ransom uses the term " logical structure " to refer to a poem's ...
... poetic virtue : " The value of Winters as a critic lies in the fact that Winters insists on obtaining from the poem a satisfactory rational content or logical structure . " 18 Ransom uses the term " logical structure " to refer to a poem's ...
內容
President of Pacific Cultural Foundations Speech | 5 |
Utopianism in World Literature | 11 |
Major Themes at the Fourth International Conference | 31 |
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aesthetic appear approach become beginning called century character China Chinese Chinese literature classical Comparative Literature complete concept concern context continue course critical cultural described discourse discussion effect English example existence expression fact feeling fiction final function genre give hand hermeneutics human important influence interest interpretation Japan Japanese kind language linguistic literary Marxism meaning metaphor mind mode narrative nature novel object original patterns perhaps period person play poem poet poetic poetry position possible practice present Press problem production question reader reading reference relation relationship result rules scene seems semantic sense Shih social story Structuralist structure suggests theme theory things tradition translation turn understanding University verse Wang Western writing written