淡江評論, 第 31 卷,第 1 期 -第 32 卷,第 1 期Graduate School of Western Languages and Literature, Tamkang University, 2000 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 19 筆
第 114 頁
... Brecht's age . According to Brecht , the lesson still insufficiently clear for his own new age was that the Baroque theory of drama could indeed become a seminal theory for the drama of a new age , his own age . What was anticipated in ...
... Brecht's age . According to Brecht , the lesson still insufficiently clear for his own new age was that the Baroque theory of drama could indeed become a seminal theory for the drama of a new age , his own age . What was anticipated in ...
第 117 頁
... Brecht is treated primarily in Brecht's writings on his production of Coriolanus . Nonetheless , one reason to focus on the American version of the Galileo play in considering Brecht's study of Shakespeare , is that Shakespeare entered ...
... Brecht is treated primarily in Brecht's writings on his production of Coriolanus . Nonetheless , one reason to focus on the American version of the Galileo play in considering Brecht's study of Shakespeare , is that Shakespeare entered ...
第 119 頁
... Brecht's Galileo character is a carefully composed lesson about what happened in the Baroque age when Galileo re- canted . Brecht's claim is that Galileo's very real , very historical re- cantation led to the moment of truth facing mid ...
... Brecht's Galileo character is a carefully composed lesson about what happened in the Baroque age when Galileo re- canted . Brecht's claim is that Galileo's very real , very historical re- cantation led to the moment of truth facing mid ...
內容
AUTUMN 2000 NO | 1 |
Historical Trauma in MultiNational Ban Wang | 23 |
A Disease between Illness and Tsuchung Su | 49 |
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