淡江評論, 第 31 卷,第 1 期 -第 32 卷,第 1 期Graduate School of Western Languages and Literature, Tamkang University, 2000 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 59 筆
第 62 頁
... feeling . Generally speaking , scene fulfills two functions in Chinese poetry : it provides an evocative and plausible context for the emotion of the poem and , simultaneously , it is the very expression of that emotion . Many renowned ...
... feeling . Generally speaking , scene fulfills two functions in Chinese poetry : it provides an evocative and plausible context for the emotion of the poem and , simultaneously , it is the very expression of that emotion . Many renowned ...
第 69 頁
... feeling , either through correspondence or through contrast , is spontaneously , yet intricately played out in the poem . The power and subtlety of this poem comes precisely from this unspoken correlation between scene and feeling where ...
... feeling , either through correspondence or through contrast , is spontaneously , yet intricately played out in the poem . The power and subtlety of this poem comes precisely from this unspoken correlation between scene and feeling where ...
第 74 頁
... feelings are aroused is hsing ; feelings are thus set astir by the ob- jects 觸物以起情謂之興,物動情也” ( 2.882 ) . In other words , hsing is a catalyst that not only brings together scene and feeling but , more importantly , it sets ...
... feelings are aroused is hsing ; feelings are thus set astir by the ob- jects 觸物以起情謂之興,物動情也” ( 2.882 ) . In other words , hsing is a catalyst that not only brings together scene and feeling but , more importantly , it sets ...
內容
AUTUMN 2000 NO | 1 |
Historical Trauma in MultiNational Ban Wang | 23 |
A Disease between Illness and Tsuchung Su | 49 |
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