The Chinese Exotic: Modern Diasporic FemininityThe Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 89 筆
第 13 頁
The history of the West in Asia , as coloniser and more recently as trade partner , requires that the impact of the West be necessarily taken into account ; similarly , China's relationship to its diasporas .
The history of the West in Asia , as coloniser and more recently as trade partner , requires that the impact of the West be necessarily taken into account ; similarly , China's relationship to its diasporas .
第 16 頁
48 Although diaspora China can be classified as a ' new ' approach to diaspora in the way it eschews the place of origins ( specifically , mainland China ) as the ultimate signifier , it does not seek to establish a new triumphalist ...
48 Although diaspora China can be classified as a ' new ' approach to diaspora in the way it eschews the place of origins ( specifically , mainland China ) as the ultimate signifier , it does not seek to establish a new triumphalist ...
第 163 頁
Of the film's main talents , Chow Yun - Fat is from Hong Kong , Zhang Ziyi from China , Chen Chang from Taiwan , and Michelle Yeoh is an ethnic Chinese born in Malaysia who has lived and worked in Hong Kong for the majority of her ...
Of the film's main talents , Chow Yun - Fat is from Hong Kong , Zhang Ziyi from China , Chen Chang from Taiwan , and Michelle Yeoh is an ethnic Chinese born in Malaysia who has lived and worked in Hong Kong for the majority of her ...
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