The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007 - 218 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 87 筆
第 32 頁
... Hong Kong in the six months prior to the colony's handover to China following the terms of the Sino - British Joint Declaration of 1984 , which ratified the return of Hong Kong from the British to China in July 1997. The film is an ...
... Hong Kong in the six months prior to the colony's handover to China following the terms of the Sino - British Joint Declaration of 1984 , which ratified the return of Hong Kong from the British to China in July 1997. The film is an ...
第 37 頁
... Hong Kong whom Gong Li's character is in love with , Wang replied , " I have no interest or relationship with that kind of person , except as an outsider . I'm not a Hong Kong person anymore . I'm much more American now , and I don't ...
... Hong Kong whom Gong Li's character is in love with , Wang replied , " I have no interest or relationship with that kind of person , except as an outsider . I'm not a Hong Kong person anymore . I'm much more American now , and I don't ...
第 76 頁
... Hong Kong's cultural identity is often repudiated in place of a mainland Chinese identity within Hollywood representations . Kwai - Cheung Lo , for instance , points to a double negation at work in the cross over of Hong Kong talent to ...
... Hong Kong's cultural identity is often repudiated in place of a mainland Chinese identity within Hollywood representations . Kwai - Cheung Lo , for instance , points to a double negation at work in the cross over of Hong Kong talent to ...
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