The Chinese Exotic: Modern Diasporic FemininityThe Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 55 筆
第 71 頁
At the juncture of these inquiries , stars become an informed site through which to analyse the phenomenon of the Chinese exotic . ... Chinese exotic becomes virtual or " animated ' by virtue of being ' larger than life ' .
At the juncture of these inquiries , stars become an informed site through which to analyse the phenomenon of the Chinese exotic . ... Chinese exotic becomes virtual or " animated ' by virtue of being ' larger than life ' .
第 73 頁
Similarly , fable also becomes ' realised ' and the bodyas - sign begins to stand in for something more material — an ontology and subjectivity of Chinese femininity . Despite the loss of a ( fictive ) referent , the force of an ...
Similarly , fable also becomes ' realised ' and the bodyas - sign begins to stand in for something more material — an ontology and subjectivity of Chinese femininity . Despite the loss of a ( fictive ) referent , the force of an ...
第 107 頁
( and that ] innocence in Disney's world becomes the ideological vehicle through which history is both rewritten and purged of its seamy side ” .103 Disney is able to translate and reinvent history for its own interests and authority ...
( and that ] innocence in Disney's world becomes the ideological vehicle through which history is both rewritten and purged of its seamy side ” .103 Disney is able to translate and reinvent history for its own interests and authority ...
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