The Chinese Exotic: Modern Diasporic FemininityThe Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 31 筆
第 5 頁
10 Within the nineteenth - century exoticist project , writers and artists were concerned with rediscovering values lost with the rapid modernising of European society ; thus they sought to find ' experience and ' value ' elsewhere .
10 Within the nineteenth - century exoticist project , writers and artists were concerned with rediscovering values lost with the rapid modernising of European society ; thus they sought to find ' experience and ' value ' elsewhere .
第 105 頁
а “ main concern in raising these anachronisms and displacements is not to complain about accuracy but to point out that this demonstrates Disney had a non - Chinese audience in mind . What these elements share is that they already ...
а “ main concern in raising these anachronisms and displacements is not to complain about accuracy but to point out that this demonstrates Disney had a non - Chinese audience in mind . What these elements share is that they already ...
第 106 頁
Of course Berry does not suggest that only Westerners can be concerned with questions of individuality and ... I argue that as a cross over translation the film needs to be read differently , to examine precisely its concern with ...
Of course Berry does not suggest that only Westerners can be concerned with questions of individuality and ... I argue that as a cross over translation the film needs to be read differently , to examine precisely its concern with ...
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