The Chinese Exotic: Modern Diasporic FemininityThe Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 51 筆
第 7 頁
of difference in fact negates the people who are the source of interest . As Graham Huggan notes , " exoticism describes a political as much as an aesthetic practice . But this politics is often concealed , hidden beneath layers of ...
of difference in fact negates the people who are the source of interest . As Graham Huggan notes , " exoticism describes a political as much as an aesthetic practice . But this politics is often concealed , hidden beneath layers of ...
第 92 頁
The fact that he asks Maggie if she understands him does not relate to linguistic translation , since everyone on the set can speak English . Rather , it invokes the notion of an intersemiotic translation , “ from one sign system to ...
The fact that he asks Maggie if she understands him does not relate to linguistic translation , since everyone on the set can speak English . Rather , it invokes the notion of an intersemiotic translation , “ from one sign system to ...
第 100 頁
This seems a marked omission since René in fact shows a clip of The Heroic Trio early on in the film , clearly situating Maggie within her previous roles in Hong Kong cinema . According to Ackbar Abbas , Hong Kong's current popularity ...
This seems a marked omission since René in fact shows a clip of The Heroic Trio early on in the film , clearly situating Maggie within her previous roles in Hong Kong cinema . According to Ackbar Abbas , Hong Kong's current popularity ...
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action alternative American appears argues Asia Asian Asian Australian Australian becomes body centre chapter character characterises China Chinese Box Chinese exotic Chinese femininity cinema colonial concept concern constructed context created critical cross cross-cultural cultural described desire diasporic Chinese discourse discussed displacement dominant East economic emergence ethnic ex-centric example exchange exoticism fact fantasy fashion female figure film fold functions further gender global Hong Kong identity images interesting involved Irma Vep kind literature look Maggie marked meaning model minority movement multiculturalism narrative Never notes novel object operates Orientalism original ornament particular performative play politics popular positions possible practices production question reading refers region relation relationship representation represented role says screen sense shift South space specific stars story structure suggests texts translation University Vampires various visibility West Western whereby woman women writing