The Chinese Exotic: Modern Diasporic FemininityThe Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 90 筆
第 17 頁
Modern Diasporic Femininity Olivia Khoo ... Signs of the feminine operate as a specific trope of the modern such that a resurgence of the visibility of these signs is apparent in an era dominated by the formation of diasporic Chinese ...
Modern Diasporic Femininity Olivia Khoo ... Signs of the feminine operate as a specific trope of the modern such that a resurgence of the visibility of these signs is apparent in an era dominated by the formation of diasporic Chinese ...
第 20 頁
Women are the carriers of tradition , culture , as well as disease.63 It is the feminine that spreads , reproduces ... Although I want to avoid the easy trap of I essentialising either ' Chineseness ' or Chinese femininity , it is ...
Women are the carriers of tradition , culture , as well as disease.63 It is the feminine that spreads , reproduces ... Although I want to avoid the easy trap of I essentialising either ' Chineseness ' or Chinese femininity , it is ...
第 167 頁
There is a struggle over Jen to make her more like the feminine Shu Lien ( Michelle Yeoh ) , or closer to the masculinised Jade Fox . Levie argues that this tension is coded in the film through the symbolism of the sword ( masculine ) ...
There is a struggle over Jen to make her more like the feminine Shu Lien ( Michelle Yeoh ) , or closer to the masculinised Jade Fox . Levie argues that this tension is coded in the film through the symbolism of the sword ( masculine ) ...
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action alternative American appears argues Asia Asian Asian Australian Australian becomes body centre chapter character characterises China Chinese Box Chinese exotic Chinese femininity cinema colonial concept concern constructed context created critical cross cross-cultural cultural described desire diasporic Chinese discourse discussed displacement dominant East economic emergence ethnic ex-centric example exchange exoticism fact fantasy fashion female figure film fold functions further gender global Hong Kong identity images interesting involved Irma Vep kind literature look Maggie marked meaning model minority movement multiculturalism narrative Never notes novel object operates Orientalism original ornament particular performative play politics popular positions possible practices production question reading refers region relation relationship representation represented role says screen sense shift South space specific stars story structure suggests texts translation University Vampires various visibility West Western whereby woman women writing