The Chinese Exotic: Modern Diasporic FemininityHong Kong University Press, 2007 - 218 頁 The Chinese Exotic examines new representations of diasporic Chinese femininity emerging from Asia Pacific modernities since the late twentieth century. Through an analysis of cultural artefacts such as films, popular fiction, food and fashion cultures, the book challenges the dominant tendency in contemporary cultural politics to define Chinese femininity from a mainland perspective that furthermore equates it with notions of primitivism. Rather, the book argues for a radical reconfiguration of the concept of exoticism as a frame for understanding these new representations. This engaging study raises important questions on the relationship between the Chinese diasporas and gender. The Chinese Exotic provides a timely critical intervention into the current visualizations of diasporic Chinese femininity. The book contends that an analysis of such images can inform the reconfigured relations between China, the Chinese diasporas, Asia and the West in the context of contemporary globalization, and in turn takes these new intersections to account for the complex nature of modern definitions of diasporic Chinese femininity. |
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第 1 到 3 筆結果,共 9 筆
第 7 頁
... style of thought based upon an ontological and epistemological distinction made between ' the Orient ' and ( most of the time ) ' the Occident ' . In short , Orientalism is a Western style for dominating , restructuring , and having ...
... style of thought based upon an ontological and epistemological distinction made between ' the Orient ' and ( most of the time ) ' the Occident ' . In short , Orientalism is a Western style for dominating , restructuring , and having ...
第 58 頁
... style is not merely superficial decoration but an arena for the production of potentially oppositional identities ” . 105 Against this identity production , ' high style ' both inscribes and represses the politics inherent in its ...
... style is not merely superficial decoration but an arena for the production of potentially oppositional identities ” . 105 Against this identity production , ' high style ' both inscribes and represses the politics inherent in its ...
第 176 頁
... Style , pp . 20–25 and De Gex , Asian Style Source Book . The forms of paper commonly associated with ' the Orient ' are thin ; for example rice paper , washi or origami paper , as opposed to firmer substances such as cardboard ...
... Style , pp . 20–25 and De Gex , Asian Style Source Book . The forms of paper commonly associated with ' the Orient ' are thin ; for example rice paper , washi or origami paper , as opposed to firmer substances such as cardboard ...
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