Dan jiang ping lun, 第 19 卷Graduate School of Western Languages and Literature, Tamkang University, 1988 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 21 筆
第 771 頁
... comic manner . The transfiguration of the fearful ghost into a pitiable and even a comic one shows what the Chinese theatre - goers expect of a ghost on stage . The audience experiences at once a sympathetic identification with and a ...
... comic manner . The transfiguration of the fearful ghost into a pitiable and even a comic one shows what the Chinese theatre - goers expect of a ghost on stage . The audience experiences at once a sympathetic identification with and a ...
第 772 頁
... comic scenes of the ghosts are presented in prose , so - called " ch'a - k'e ta - huen " ( , gag ) . The comic moment before the crucial scene to right the wrong seems to distract the audience from the most important purpose of the ...
... comic scenes of the ghosts are presented in prose , so - called " ch'a - k'e ta - huen " ( , gag ) . The comic moment before the crucial scene to right the wrong seems to distract the audience from the most important purpose of the ...
第 773 頁
of comic or satirical action and dialogue with the serious action and verse is common in Sung , Ching and Yuan plays . The comic scenes in a serious and tragic situation oftentimes convey a strong satirical implication . The minor ...
of comic or satirical action and dialogue with the serious action and verse is common in Sung , Ching and Yuan plays . The comic scenes in a serious and tragic situation oftentimes convey a strong satirical implication . The minor ...
內容
Editors Note i | 437 |
Goethes Faust in Four Chinese Translations Adrian Hsia | 467 |
Approaches to Translating Modern | 501 |
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