淡江評論, 第 24 卷Graduate School of Western Languages and Literature, Tamkang University, 1993 A quarterly of comparative studies of Chinese and foreign literatures. |
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第 1 到 3 筆結果,共 26 筆
第 13 頁
... narrator's denial of the past and his joyful new recognition of the truth , either " nonrebirth " or the " Way , " lend a strong religious color to those meditative monologues . Still we can see the sadness and fear of the narrator for ...
... narrator's denial of the past and his joyful new recognition of the truth , either " nonrebirth " or the " Way , " lend a strong religious color to those meditative monologues . Still we can see the sadness and fear of the narrator for ...
第 14 頁
... Narrator as Storyteller When the narrator " I " hides himself behind the curtain , when the second person " you " disappears from the stage , the narrator becomes a third person " he , " a storyteller . In other words , the narrator is ...
... Narrator as Storyteller When the narrator " I " hides himself behind the curtain , when the second person " you " disappears from the stage , the narrator becomes a third person " he , " a storyteller . In other words , the narrator is ...
第 17 頁
... narrator's voice seems from the third person , who closely followed the marching but at the same time keeps a certain distance . In other words , the narrator is paradoxically a detached observer as well as an engaged participant in the ...
... narrator's voice seems from the third person , who closely followed the marching but at the same time keeps a certain distance . In other words , the narrator is paradoxically a detached observer as well as an engaged participant in the ...
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