Tamkang Review, 第 11 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1980 |
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第 1 到 3 筆結果,共 42 筆
第 331 頁
... concept by sub- stantiating the li , the second part of the term chi - li , with a Neo - Confucian metaphysics . 5 In his middle stage , as represented in his ... concept chi - li to concretize and substantiate the concept shên - yün . 221.
... concept by sub- stantiating the li , the second part of the term chi - li , with a Neo - Confucian metaphysics . 5 In his middle stage , as represented in his ... concept chi - li to concretize and substantiate the concept shên - yün . 221.
第 354 頁
to its own concepts and stratagems . Wêng's concept of " perceptible pattern " bears some similarity to Ransom's redemption of the world's body : both emphasize the sensuality of the poem . Ransom's theory of icon may need expansion and ...
to its own concepts and stratagems . Wêng's concept of " perceptible pattern " bears some similarity to Ransom's redemption of the world's body : both emphasize the sensuality of the poem . Ransom's theory of icon may need expansion and ...
第 373 頁
... concept of wen as in principle defining a broad concept of writing that is not phonetic ( based on a binary model ) and which does not privilege the speaking voice.23 Whether or not Derrida's own view of Chinese writing needs to be ...
... concept of wen as in principle defining a broad concept of writing that is not phonetic ( based on a binary model ) and which does not privilege the speaking voice.23 Whether or not Derrida's own view of Chinese writing needs to be ...
內容
FALL 1980 NO | 1 |
Chinese Influences on Pearl S Buck Yü Yühchao | 23 |
The Jamesian Techniques in Delirious Mutterings at Midnight | 43 |
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