Tamkang Review, 第 11 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1980 |
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第 1 到 3 筆結果,共 49 筆
第 24 頁
... experience she was exposed , for six years , to American culture while receiving a higher education . The fact that she was moulded by two cultures is very important to bear in mind because it is the key factor contributing to her cross ...
... experience she was exposed , for six years , to American culture while receiving a higher education . The fact that she was moulded by two cultures is very important to bear in mind because it is the key factor contributing to her cross ...
第 362 頁
... experience rather than its details . The Chinese poet is usually intent on capturing the spirit of a scene , a mood , a world , rather than depicting its multifarious manifesta- tions . In view of what I said in the last paragraph , the ...
... experience rather than its details . The Chinese poet is usually intent on capturing the spirit of a scene , a mood , a world , rather than depicting its multifarious manifesta- tions . In view of what I said in the last paragraph , the ...
第 443 頁
... experience of madness perhaps , which leads the , the deranged man to merge himself with the river in the first place . Chou explicitly recognizes the fear of this undifferentiated state when he discusses the repitition of the word ...
... experience of madness perhaps , which leads the , the deranged man to merge himself with the river in the first place . Chou explicitly recognizes the fear of this undifferentiated state when he discusses the repitition of the word ...
內容
FALL 1980 NO | 1 |
Chinese Influences on Pearl S Buck Yü Yühchao | 23 |
The Jamesian Techniques in Delirious Mutterings at Midnight | 43 |
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常見字詞
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