Tamkang Review, 第 11 卷Graduate Institute of Western Languages and Literature Research, Tamkang College of Arts and Sciences, 1980 |
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第 1 到 3 筆結果,共 21 筆
第 125 頁
... sadness unequivocally demonstrate that this poem belongs to the Sung Yü tradition . Chang Tsai , like Ts'ao P'i before him , tells us very little about the causes of his ' sadness . Like Ts'ao P'i , he is a traveller away from his home ...
... sadness unequivocally demonstrate that this poem belongs to the Sung Yü tradition . Chang Tsai , like Ts'ao P'i before him , tells us very little about the causes of his ' sadness . Like Ts'ao P'i , he is a traveller away from his home ...
第 127 頁
... sadness brought forth by the poet's sudden discovery of his reaching old age . The poem says :彼四感之疚心兮,遭一塗而難忍。嗟秋日之可哀兮,諒無愁而不盡。野有歸燕,隰有翔隼。游氛朝興,槁葉夕殞 051 Those four kinds of feelings will wring our ...
... sadness brought forth by the poet's sudden discovery of his reaching old age . The poem says :彼四感之疚心兮,遭一塗而難忍。嗟秋日之可哀兮,諒無愁而不盡。野有歸燕,隰有翔隼。游氛朝興,槁葉夕殞 051 Those four kinds of feelings will wring our ...
第 128 頁
... sadness by means of externalization . The phrase " ch'iu k'o ai " had been adopted by P'an's contempora- ry and friend Hsia - hou Chan to be the title of a fu of great pathos . Why the autumn days are sad and why the sadness elicited is ...
... sadness by means of externalization . The phrase " ch'iu k'o ai " had been adopted by P'an's contempora- ry and friend Hsia - hou Chan to be the title of a fu of great pathos . Why the autumn days are sad and why the sadness elicited is ...
內容
FALL 1980 NO | 1 |
Chinese Influences on Pearl S Buck Yü Yühchao | 23 |
The Jamesian Techniques in Delirious Mutterings at Midnight | 43 |
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常見字詞
according appears autumn becomes beginning butterfly called chapter character Cheng China Chinese Chuang Tzu Chung-shan comes comparative literature concept concerned course criticism culture departments described desire discussion dream elements Emperor English examination example experience expressed fact feelings five give hand hero Hsüeh human imagination important interest James Jen-kuei language later lines literary living meaning mentioned mind Miss Lin Monkey nature never Notes novel object original passage play poem poet poetic poetry present Press principle reader relations relationship sadness says scholars seems Shih story structure suggest Sung symbolic T'ang T'ao Taipei tale Taoist texts theory things thought traditional translation turn Tzu's University Wang West Western wolf writing young