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" Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); Jonathan Spence, The Question ofHu (New York: Knopf, 1988). "
The Origins of the Boxer Uprising - 第 408 頁
Joseph W. Esherick 著 - 1988 - 410 頁
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Oliver Stone's USA: Film, History, and Controversy

Robert Brent Toplin - 2000 - 368 頁
...Stone, 14-15; Mackey-Kallis, Oliver Stone's America, 11. 50 Doherty, "Witness to War," 255. 51 Natalie Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); John Demos, The Unredeemed Captive: A Family Story from Early America (New York: Alfred A. Knopf, 1994)52...
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The History and Narrative Reader

Geoffrey Roberts - 2001 - 470 頁
...[1939]). 35 Graham, review of Road to Confederation, 252. 36 Phillips, "Revival," 153. 37 Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983). 38 The Memoir of Macro Parenti: A Life in Renaissance Florence (Princeton: Princeton University Press,...
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De Tocqueville

Cheryl B. Welch - 2001 - 300 頁
...Languedoc, trans. [ Day and G. Huppert )Urbana: University of Illinois Press, 1984); Natalie Zemon Davis, The Return of Martin Guerre )Cambridge, Mass.: Harvard University Press, 1983). 66 Roger Chartier, 'The World Turned Upside-Down', in Cultural History: Between Practices and Representation,...
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Change Mummified: Cinema, Historicity, Theory

Philip Rosen - 2001 - 476 頁
...narrative procedures and intertextual appeals. For her own historiography of the case, see Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983). See also her comments on historical cinema in Natalie Zemon Davis, "Any Resemblance to Persons Now...
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The Historical Film: History and Memory in Media

Marcia Landy - 2001 - 364 頁
...or Dead': Film and the Challenge of Authenticity," Yale Review 76 (1987), 457-82. 6. Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983), viii. 7. Daniel J. Walkowitz, "Visual History: The Craft of the Historian — Filmmaker, " Public Historian...
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Suspect Identities: A History of Fingerprinting and Criminal Identification

Simon A. COLE, Simon A Cole - 2009 - 381 頁
...conceptions of what it means to be a unique individual. 1. Impostors and Incorrigible Rogues 1. Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983), 63-68. 2. Norval Morris and David J. Rothman, eds., The Oxford History of the Prison: The Practice...
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Women and Religion in Old and New Worlds

Susan E. Dinan, Debra Meyers - 2001 - 262 頁
...of Food to Medieval Women (Berkeley, Calif.: University of California Press, 1987). 6. Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983). 7. Natalie Zemon Davis, Society and Culture in Early Modern France (Stanford, Calif.: Stanford University...
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Moving Europeans, Second Edition: Migration in Western Europe Since 1650

Leslie Page Moch - 2003 - 300 頁
...and 2. 58. Poussou, "Mobilite et migrations," 103. 59. Poussou, "Mobilite et migrations." 60. Natalie Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983), 6-7. 61. Macfarlane, "The Myth of the Peasantry," 343. 62. For these contrasting models, see Clark,...
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Mythistory: The Making of a Modern Historiography

Joseph Mali - 2003 - 369 頁
...trans. A. Tedeschi andJ. Tedeschi (Baltimore: Johns Hopkins University Press, 1981); Natalie Zemon Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983); Jonathan Spence, The Question ofHu (New York: Knopf, 1988). 93 . Natalie Zemon Davis, Fiction in the...
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The Nineteenth-century Visual Culture Reader

Vanessa R. Schwartz, Jeannene M. Przyblyski - 2004 - 440 頁
...12 These references are to Robert Darnton, The Great Cat Massacre (New York, Basic, 1984), Natalie Davis, The Return of Martin Guerre (Cambridge, Mass.: Harvard University Press, 1983) and Stephen Greenblatt's essay about Caliban in Learning to Curse (New York: Routledge, 1999). 13 Judith...
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