Using the Past to Serve the Present: Historiography and Politics in Contemporary ChinaAn historiographical examination of the political debates of the 1980s over despotism in Chinese history and over Party history. The extent of popular culture and its reinterpretation of history is also assessed, as governmental control of the media has decreased. |
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第 8 頁
That famous phrase by Mao about 'Using the past to serve the present remains a double-edged sword so far as the Party's leaders are concerned. They continue to wield it for their own purposes, but it is a blade that can cut both ways, ...
That famous phrase by Mao about 'Using the past to serve the present remains a double-edged sword so far as the Party's leaders are concerned. They continue to wield it for their own purposes, but it is a blade that can cut both ways, ...
第 9 頁
I see him as an 'establishment intellectual', working within boundaries prescribed by the CCP, or at least the Beijing leadership, rather than a dissenter outside of the system. [See Tom Fisher, “The “Upright Official”' as a Model in ...
I see him as an 'establishment intellectual', working within boundaries prescribed by the CCP, or at least the Beijing leadership, rather than a dissenter outside of the system. [See Tom Fisher, “The “Upright Official”' as a Model in ...
第 17 頁
... although in 1957 he joined the CCP.36 During the anti-rightist campaign that followed the Hundred Flowers, Wu Han came down squarely on the side of intellectual constraint with an attack against his fellow Democratic League leader, ...
... although in 1957 he joined the CCP.36 During the anti-rightist campaign that followed the Hundred Flowers, Wu Han came down squarely on the side of intellectual constraint with an attack against his fellow Democratic League leader, ...
第 19 頁
Ma, who also is said to have died during the Cultural Revolution, at that time was a highly paid leader of the Beijing Opera Troupe (of Beijing), one of the few remaining such groups that had not been nationalized.
Ma, who also is said to have died during the Cultural Revolution, at that time was a highly paid leader of the Beijing Opera Troupe (of Beijing), one of the few remaining such groups that had not been nationalized.
第 31 頁
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內容
1 | |
9 | |
Political Symbolism in Zhou Xinfangs Play Hai Rui Submits His Memorial | 46 |
David Holm The Strange Case of Liu Zhidan | 104 |
Ancient Symbols and Modern Politics in the PostMao Era | 124 |
Susanne WeigelinSchwiedrzik Party Historiography | 151 |
Politics and Historiography in China 197882 | 174 |
Recent Trends in the Historiography of Chinese Enterprise Management | 205 |
Sun Yatsen and the International Development of China | 239 |
Geremie Barmé History for the Masses | 260 |
Index | 287 |
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authority Beijing capitalism capitalist Central Committee Chen Duxiu China Chinese history chubanshe Communist Confucian contemporary criticism Cultural Revolution Dangshi Deng Xiaoping despotism Draft dynasty early economic enterprises feudal Feuerwerker foreign Guan Hanqing guanli historians historical drama Hong Huang ibid ideological imperial industry intellectuals interpretation Jiajing Emperor Jiang Xingyu jingji Kang Sheng leaders leadership lishi literary literature Liu Zhidan Mao Zedong Thought Mao's Maoist materialist Ming minsheng modern Chinese official op.cit Party historiography Party history Party’s past peasants Peking Opera Peng Dehuai People's play policies political popular published qiye Qu Yuan reform remonstrance Renmin ribao revolutionary role Rui shangshu Rui Submits Rui's scholars Shaanxi Shanghai Shanghai xiju sixiang social Song Soviet Studies Submits His Memorial Sun Yatsen Tian traditional University Wang wenxue wenyi writing Wu Han’s Xu Dingxin Xu Jie Xu Siyan yanjiu Yuan Zhang Zhongguo Zhou Xinfang