The genesis of The brothers Karamazov : the aesthetics, ideology, and psychology of text making

PrefaceChapter One: IntroductoryChapter Two: Dostoevsky Read Enormously in Books and Periodicals Old and New, Russian and European, Good and Bad, Literary and NonliteraryChapter Three: Dostoevsky Condensed a Lifetime of Preparation into a Year of Planning and Two Years of WritingChapter Four: Dostoevsky Kept Merging and Reworking the Sources of Mitia Karamazov to Form a New Character and a New PlotChapter Five: The Theme of Memory Enters the Novel from a Rich Body of Reading and Other ExperienceChapter Six: The Origins of a Single Paragraph Reveal the Unconscious Transformations that Shape Alesha KaramazovChapter Seven: Dostoevsky's Attitudes Shape the Arguments Ivan Karamazov Inherits and UsesChapter Eight: Dostoevsky's Attitudes Shaped the Attitudes of His Characters and His ReadersChapter Nine: ConclusionNotesBibliographyStudies of the Harriman InstituteIndex